бля, на последнем микстейпе Апатия трек 860 to 203 вообще напоминает бит Примо в лучших традициях, я аж подумал что и в самом деле, а оказалось нет...но тем не менее Примо в любом обличии остаётся Примо, будь то на альбоме Агилеры (где он, кстати, серьёзно постарался) или на последней ипишке Кулджирэпа.

От битов реально очень многое зависит, вот Эсопа Рока замиксовали с Портис и красота полная получилась, на мой взгляд интереснее оригинала)

Nas Presents Bravehearts - Bravehearted 2


Label................: Megabucks Ent.
Genre................: Hip-Hop
StoreDate............: 00-00-2008
Source...............: CDDA
Size.................: 59,0 MB
Total Playing Time...: 55:59

Release Notes:

New BH shit!

Support the artists, cop this if you like it!


Code:

Tracklisting

01. A Ha 03:46
02. Slide Wit Me 04:24
03. Good Money 03:14
04. Live Or Die (Feat. AD) 05:12
05. Pocket Or Two (Feat. D-Stress & Cory Gunz) 04:08
06. Gun On Me 03:28
07. I Want In (Feat. Nas) 03:42
08. It's Getting Hot 02:50
09. Is You Aight 03:57
10. Mean Tongue 03:20
11. A Bronx Tale (Feat. Sier Castro & Billy Red) 05:28
12. Gangsta 03:23
13. I'm Looking For Him 03:19
14. One Way (Feat. G-Wiz) 03:03
15. When I Find You 02:45


Support The Artists, Buy Their Music....


http://www.zshare.net/download/1079535694fec363/
http://www.mediafire.com/?d1ruesdmd1m

Cover

New shit.

http://www.youtube.com/watch?v=1j8yXpFu-So

http://www.youtube.com/watch?v=2s9qfEuzlxw

а это чего такое?

Это Bravehearts.

ну эт я понял, а Нас какое отношение к этому имеет? Кроме фита на альбоме?

И сразу уж тогда киньте первый альбом тож.


хотя, не, первого альбома не надо - послушал я этих брейвхардс - имхо шляпа редкостная.

Nas Presents :o

Аля Напалм прошлогодний или 2006го, не помню, я даже не притронулся по моему к нему... И здесь тоже самое.

В таком плане у Насира как-то тугова-то получается с продвижениями.

Напалм, по-моему, неплохой альбом. Nashawn рифмует средненько, но продакшн приятный. В целом, больше чем на 1 раз послушать. А вот 2 релиз, Nashawn-Mass destruction, слабенький...

Увидел самый первый тэг в теме, и поперхнулся чаем... :D

:D

залейте трек с фитом наса отдельно)


Nas - Be A Nigger Too (prod. Salaam Remi & Big Jack)

Странно, у Наса новый трек впервые за долгое время, а никто за день и не отписался :)

вчера скачал, послушал первый куплет и выключил. не легло никак... подожду альбома.

Нормальная телега))) Читка на 9 из 10, бит на 7 из 10. В альбом идет?

альбом идет?

споткнулся, но встал и пошел дальше.

нас динамик так как динамит,с февраля до...типа апреля

http://www.zshare.net/audio/1110410823720dc6/


свежий трек, если что:|

такие стихи рвущие, и такой нудный бит:krik: заебало блять, доколе

послушал или прослушал или вслушался?;)

а что тебе не понятно? :confused:

Да, бит говно!

KING Legacy: Nasir Jones

In part one of our first-ever Legacy Q&A, God’s Son raps with our Senior Editor Thomas Golianopoulos about his eyebrow-raising new album, his heroes and the reason he dissed Tiger Woods.

NAS HAS AWFUL HANDWRITING—as in doctor’s-handwriting awful. I know this because, while he’s getting a haircut in another room, I’m down the hall snooping through a pad and some loose papers. It’s Nasir Jones’ book of rhymes.

There’s a title at the top of a page: “Memories of a Project.” It sounds fake—something off one of those bogus track listings that “leak” onto the Internet months before an album’s release date. But there are lyrics scrawled below the title—not that I can read them. I can only make out half a bar, “My skid-row barrio.”

I’m about to look closer, but I hear a voice booming from the hallway. “Come with me/Hail Mary, nigga run quick, see.” Nas strolls into the studio still reciting 2Pac, of course, over-enunciating the last syllable of every half bar, and takes a seat.

We’re at Westlake Studios on Beverly Boulevard, about two blocks from the Beverly Center, hangout to L.A.’s upper-middle-class mallrats. These are the dungeons of rap circa 2008. It’s where Michael Jackson recorded Thriller in 1982. It’s where Nas recorded his new album. The title? Yes, that word. Yes, ending with an “er.” It’s provocative, ambitious and kind of a risky move.

Today Nas will address the new album, but in the inaugural KING Legacy Q&A, he also tackles his entire 17-year career: the feuds with Biggie, 2Pac and Jay-Z; It Was Written; his overzealous fans; “Ether”; success; and “Success.” And the answer to the million-dollar question: Is he the greatest of all time?

The hot rumor is that Def Jam will drop you if you don’t change the album title. Any legs to that?
Somebody told me that [one] about me getting dropped. That sounds funny, though. I guess that just stays a rumor. But I enjoy those rumors too, because that means there’s fear.

What will it say about the record industry if Def Jam drops you, 10 albums deep, over a single word?
That starts a revolution. It sparks something within the hip-hop community, within the streets, within the people outside the streets. It raises an eyebrow to the situation, you know? Nobody wants to deal with the word “nigger,” because what comes with the word “nigger” is a whole history where you show so much injustice, and you show so much that has not been fixed yet. So it’s a scary thing. But it’s also uncomfortable when I’m dealing with it. Like, no one can tell me what to do. None of the black leaders, none of these motherfuckers, record companies, none of them can tell me what to do. Because you can’t stop what I want to do, you understand?

Do you remember the first time you were discriminated against because you were black?
The first time I opened up a Superman comic book. The first time I saw Flashdance, with the light-skinned, beautiful bitch who’s chasing after some white cat, which…I don’t have nothing against interracial relationships—love ’em, actually.

Wait. On “These Are Our Heroes,” you mentioned Tiger Woods…
A lot of times, when people look at me, they look too deep into it. Tiger Woods standing up for this white lady who said something about him being lynched is a coon move to me. God bless the brother. I like to see him doing his thing, but that’s a flaw to his character. That’s an issue I would have with Tiger Woods; not who he is married to. I don’t even know who he’s married to.

I’m asking because you shouted out him, Cuba Gooding Jr. and Taye Diggs. They’re all married to white women.
I saw Cuba Gooding do a hand spin or some shit on an awards show—that’s very coonish to me. I can’t remember what Taye Diggs did, but I didn’t know he was married to a white woman. You know who my hero is? Richard Pryor. He was married seven times. My favorite wife of his is Debra, one of the white girls.

Who else were your heroes?
Muhammad Ali, Malcolm X, John Lennon, Bob Dylan, Yoko Ono.

Yoko?
Love her.

Why Yoko?
How could you not love Yoko?

She broke up the Beatles.
That was a great thing, ’cause then she gave us “Give Peace a Chance,” “Imagine.” When John Lennon left the Beatles, he was able to do that shit.

OK, on to your music. I’m not making this up: On the flight from New York, the person next to me asked why I was going to L.A. I said, “I’m interviewing Nas.” She said, and I paraphrase, “I like Nas, except when he rapped like he was a drug kingpin.”
Oh, that’s great, man. If you have a catalog, you go back to certain records guys did, and one record is for [one] crowd, another record is for another crowd. It shouldn’t all be the same thing; it should be all different dimensions of yourself. I was talking about coke on my first album because that’s what I was around. On the second album, you had to take it to the next level—that Escobar lifestyle with the hot shoes; a nigga was dressing up the way I always wanted to be. I kept it thorough with who I was. A lot of fans aren’t into gangster rap. They are going to listen to shit they like, and that’s cool.

Do your longtime fans have unrealistic standards for you?
I like to hear somebody else say it, ’cause I know I’m not crazy. Yeah, man, I got the craziest, most hard-core fans in the game, and I love them, man. I’m human and I show you that. I wear that on my sleeve. I’m honest to a fault most of the time. And if they hear you being honest about one thing, they think that’s all you are. Then you might touch on something else, and it’s, “Hey, what’s going on?” And they don’t really know. It’s like, I’m here recording, giving you guys a piece of me. I’m giving motherfuckers little bits and pieces of me.

If you stray from anything you did on Illmatic, it’s, “How dare you?”
That’s not me no more. If Preme got a track that I feel can fit on my shit, great. If Large Professor got a track that I feel can fit on my shit, great. But we did our project together. We done that.

Did you know that It Was Written would alienate your core fans?
I knew when we recorded “If I Ruled the World” that a lot of people were going to be thrown way off. That was the whole challenge of it. If you didn’t feel nervous in your gut, then you were bullshitting yourself. At that point, everyone was doing Illmatic. People were sounding like me also. So with that, it was, “Now, let me do something they can’t do.”

Did you doubt Steve Stoute’s vision for your career?
Nah, that was the whole point. When we met, it was both of our decision to take on the world. We needed to step into the million-dollar bracket now, and that’s what we did together, along with TrackMasters. Everybody else had a squad, a team. The players in the game at that time were Puff and Biggie, RZA and Wu-Tang, Dr. Dre and Death Row. It only made sense for us to come together. Steve used to say that I’m scared of success. We would be doing stuff top of the world, and I would be like, “Nah, man, that’s too much.” I was straight out the projects. I wasn’t used to dealing with these industry folks. I wasn’t with it.

What did he want you to do?
Just go kill the game. That’s not what I wanted to do. I done seen my pops come up and do his music thing and have his life. Around that time, people like Mase started to become really big, a lot of people were becoming really big, and it all seemed phony to me. I felt like I could maintain. I watched Scarface’s career at the time, and he was doing a million off the underground, the streets. It was like the way I grew up listening to N.W.A., the streets, no radio. It started to get too big for me. The second album, the third album, it was starting to get too big.

Did you make bad decisions artistically?
Nah, I was holding it down. I would do a Primo track, “Nas Is Like,” for the lead single and then come with “Hate Me Now.” I was playing the game, but there were other parts of the game that I had to play. I wasn’t trying to show up for nothing—endorsements, tours. You couldn’t put a gun to my head and make me tour.


Your concerts today are pretty eventful; you have an extensive catalog. There are fans chanting for “Ether.” What are you thinking when they chant for it?
Awww, man… People come to the shows and start to go through eras with me, and that moment right there is the greatest rap battle of this generation. So of course they’re going to chant that shit.

When did you decide to stop performing “Ether”?
After the first year, there was no need to be out there yelling people’s names and cursing them out and shit. In 2003 I brought KRS-One out to Summer Jam, and he told me he don’t like doing “The Bridge Is Over.” I understood. You’re out there saying people’s names that you’ve since reconciled [with]. You’re talking about another person that’s alive, and for the crowd it’s exciting, but for the one who’s saying it, that’s some shit.

It’s probably tougher for MC Shan.
I think it’s tough for KRS-One because you’re out there saying fighting words. It’s fucked up. If there’s no beef, that’s fucked up.

At your show in New York City last December, Busta Rhymes came onstage and said you’re the best ever. Are you the best ever?
Busta’s my nigga. It’s very humbling. I had to stop my head from swelling up after he said that to me. But it’s a great feeling to have anyone acknowledge, especially someone as great as Busta.

So, do you think you’re the best?
[Laughs] Um, [long pause] I don’t know. I don’t know nothing about that word. At times, I do. Yeah, definitely there are some times I do, but I don’t like that word. If I complete an amazing record, I’m like, “I got this. Niggas can’t fuck with me.” That’s the attitude you have because, at that moment, you know niggas can’t fuck with you. There are some great motherfuckers out there, so I’m going to watch what I say. There are some amazing niggas out there.

Do you think there is a best?
Right now in rap, nah.

Lil Wayne and Jay-Z continually say they’re the best. But you’ve rarely, if ever, said it in a song. Why?
I said, “Niggas is this and that. I’m just the best.” But Pun told me to say that. He was like, “You got to say that. Fuck that.” It was on Fat Joe’s record, “John Blaze.” Me and Pun were in the studio having a ball, and I’m writing my rhyme, and Pun leans over and says, “Just say, ‘Niggas is this and that. I’m just the best.’ Just say that.” He was not letting me go without saying that. I’m sure I’ve said it another time.

Have you ever been bodied on a record?
I’m always kind of nervous of that to some degree. I don’t know. On “Fast Life,” Kool G. Rap was so out of control. I was nervous to be on a record with him.

Did that thought cross your mind on “Black Republicans” or “Success”?
Nah, that wasn’t even an idea with that. It was just a glory moment. It wasn’t like, “I got to outrap this nigga here,” or nothing like that. It was like we were having fun. We weren’t even thinking about it.

Most people wouldn’t believe that.
I’m just basing it off the vibe and the way we were getting down and just having fun. Nobody was sitting there, like, “We got to make this shit incredible.” It was like, “Let’s go.”

Have you talked to Jay-Z since he left Def Jam?
Yeah. Homie’s chilling, man. He’s plotting.

That’s it?
That’s it.

It was a five-second conversation? “How are you, Jay?” “I’m plotting.”Basically. Plotting.

On “Success,” how did you get away with talking about Jay?
What do you mean?

“Worst enemies want to be my best friends…” Can you see how people can take that as a diss?
But could you see how Jay couldn’t relate to that in his own life with his own situation? Everything in Jay’s rhyme, I relate to. “Is this what success is all about?/A bunch of bitch niggas running around with big mouths.” I feel that every day. I’m sure he can relate to “Best friends want to be enemies like that’s what’s in.” We can both relate to one another’s verses. It’s about success.

Then you say, “I walk into the lion’s den and take everybody’s chips.” It sounds like you’re saying the worst enemy who wants to be your best friend is Jay-Z. And “walking into the lion’s den and taking everybody’s chips” is you signing a lucrative deal with Def Jam.
Yeah, that’s how a lot of people looked at it.

So was that line about him?
Of course, of course. But that’s what’s big about him. We don’t get into the studio and just start rapping about fantasy shit. We talk about shit that’s real. It’s not like a blow to nobody; it’s real. I don’t think he would have expected me to say anything less.

Going back some years now, did you expect Pac to call you the ringleader on Makaveli?
Yeah, honestly, I didn’t expect no less at the time. Pac now is Black Jesus in a sense; Pac is Lennon; Pac is Marvin. So, hell yeah, I love the fact that he starts his album off and says that about me. Hell yeah. I loved him before he died. I loved him before he said anything.

Did Biggie ask you to team up against Tupac?
Yeah, he called me. He said, “Let’s get together.” He said that everyone was a little nervous about it, but he was calling me about getting busy.

Why did nothing happen?
Getting me and Big in the same room wasn’t easy. I had just dropped my record, and my schedule was crazy. Biggie was in Miami recording Life After Death. It was just timing. We were supposed to get together and talk more, so who knows what would have happened.

Well, you guys were taking shots at each other.
On a song I did on my second album, Tupac thought it was about him, but it was really toward Biggie.

“The Message”?
[Nods] From the first lines all the way to “One life, one love, there can only be one king.” That was specifically going in that direction. The whole fucking song, really. Tupac was not even on my radar for going at him.

Tupac thought it was about him because of that line, “I got stitched up and left the hospital that same night.”Nah, this is Queensbridge activities I am rapping about. I’m with dudes who have bullets in them, who just left the hospital, [and] we ride around smoking weed. So this is in my raps. We were in New York going at it. We weren’t even thinking about no other place—Cali, Georgia, nothing.

I didn’t think you were going at Biggie.
He did.

What did he say to you about it?“Your reign on the top was short like leprechauns.” [Laughs]

Did you think you would still be making albums in 2008?
Did I ever see myself on a 10th album? No, because there weren’t long careers for rap dudes back when I did my first shit, especially in New York. You had your Dana Danes, Slick Rick, Beastie Boys, Rakim, Run-DMC, Kool G, you had your superstars; then you had your underground dudes who would survive for two albums. I always saw myself as the more polished underground cat. I didn’t see it really going past the first album. I did not see it. The plan was to get out of the P’s. That was it. Get out the P’s, set up a little something for the homies, go to school, try to learn how to write some other shit, novels, screenplays or figure out what you want to do in life. At the time, we didn’t see any of our generation go platinum until Biggie. Him and Bad Boy showed me how to do it. I just thought it would be one record. At most, two.

Finish this sentence: Nas is like…A father, a husband, a son and a brother. I’m all of those, to the true sense of every word.

с удовольствием прочел.
хз нас обычный чел как все никаких радикальных взглядов вроде как у пи, у него нету...

Нас просто в отличии от Пи умнее.

Спорно. Никто точно не знает.

старая тема, но жарит:

Сотрудники буржуазного журнала Maxim зачем-то написали рецензию на альбом Nas "Nigger", что сильно удивило самого мистера Джонса: «Я сейчас только заканчиваю этот альбом, и выйдет он только 22 апреля, если что».

Page Six добавляет, что Maxim also reviewed the Black Crowes' album, "War Paint," without listening to it in its entirety.

Чудесно.

(с) А.Михеев

гораздо умнее имхо.

Nas запишет трек для фильма о Майке Тайсоне

Саундтрек продюсирует Salaam Remi

Продюсер Salaam Remi в данный момент занимается музыкальным оформлением документального фильма о боксере Майке Тайсоне. Напомним, что именно Remi спродюсировал последний сингл Наса «Be a Nigger Too», теперь же он подключил куинсбриджского рэппера к работе над саундтреком. В фильме будет использована новая песня Наса под названием «Legendary».

Как сообщил Remi, картина основывается на истории жизни, которую рассказывает сам боксер.

Премьера фильма состоится в мае на Каннском кинофестивале, а уже летом он выйдет в прокат.

бит - редкое гавно, и вообще от этого Салаама Реми хорошего бита как у нас снега зимой, бывает конечно...

ЧУТЬ НЕ ПОПЕРХНУЛСЯ. ФУДЖИС, ВАЙКЛЕФ, ЭЙМИ ВАЙНХАУС И НЕСКОЛЬКО МЕГАПЕСЕН ОТ НАСА С 2002-ГО ГОДА - МАЛО?

я имел ввиду - для Наса хороших битов мало, не надо поперхиваться.. хотя взглянув на каталог вижу - малость прогнал.:saint: хороших битов действительно больше, чем говенных типа Virgo, Sekou Story или Hey Nas...

что в общем-то не меняет факта, что бит Be A Nigger Too - шлак.

Охуеннейший бит!

Тоже не говно знаете ли:miha:

Be A Nigger Too-норм трек,но все равно не жду от альбома чего то охуенного:(

Прочитал интервью. Еще перед выходом Hip Hop Is Dead я начал думать, что Nas уже сознательно работает на историю. Сейчас я в этом уверен. Типа лев сидит в джунглях и раз в 2 года выходит и рычит блять так, что мартышки падают с веток. Потом он уходит и мартышки 2 года снова могут заниматься своей хуйней и на льва им положить. Но ровно до его следующего появления. Лев в джунглях он не единственный и вряд ли самый сильный, но другого льва-проповедника, во многом самовлюбленного и во многом это заслуживающего, в джунглях нет.

P.S. Вчера ночью смотрел Animal Planet.

That's right homie, Nas is beautiful animal.

гавно:|

Nas Talks Nigger pt.1
http://www.youtube.com/watch?v=XF8FsCKduQk

на ifolder.ru можно замутить?

Almost 20 years in the business, and creativity is still flowing through Nasir Jones.

We've heard him rap from the perspective of a gun that has been used in several homicides. He's rapped from the perspective of a kid on a project bench. And on his upcoming album, Nigger, he's at it again, reciting lyrics from the viewpoint of an insect. One of the standout cuts he previewed for MTV News on Tuesday is called "Project Roach."

"A roach is what I am, fool/ The ghetto is my land, fool," he raps on the track, which was produced by No I.D.

"I get to thinking about how we evolved, how the human family evolved and sh--," Nas said Tuesday from Jimmy Hendrix's Electric Lady Studios. "And I looked at ants, man. One day, I was looking at a bunch of ants. We've got a lot in common — just like everything that's alive, everything that eats and breathes and builds and creates. There's a connection to even the smallest thing. So I looked at it as the whole world, instead of looking at us as beauty. Inside poverty, inside the street, inside the ghettos and the gutters and the slums, we aren't looked at as beauty out there. We were looked at as the worst pest, and because of that, because of that treatment, some of us started to believe we were a pest, started to believe what we were told, and started to act like it, and started to reproduce my people, bring kids in the world that were f---ed up in the head.

"You're not this," he added. "But if you want to act like this and you want to be this, let's make the metaphor and let me put you right here and say, 'Cool.' The roach motel could be the jails or whatever. Let me just paint that picture and see how you like that. You don't like that, do you? If you don't like that, shake it off, get right and let's start getting the things we supposed to have."

At times on "Y'all My Niggers," he comes from the stance of the N-word. "Try to erase me from y'all language/ Too late, I'm engraved in history/ ... They got Nigeria and Niger/ Somehow Niger turned to 'nigger,' and things got ugly."

He's abrasively frank throughout the album, with his song names and content. He holds back nothing. On the title track, he calls out racists, as well as holds a mirror up to people who actually perpetuate the stereotypes bigots spread.

"N-I-double-G-E-R/ We are much more, but we choose to ignore the obvious," he raps on the song. "You are the slave and the master/ What you looking for? You're the question and the answer."

"Somebody asked me, what's your inspiration for this album? Everything that's happening every day," he explained. "I can't really turn an album in when, like, next week it will be something else that will come to light and make me want to write about something. It's hard to finally wrap it up, but I finally got there. I'm finally there now. Wow, this year is panning. ... This year looks like it's going to be amazing.

"What's huge for me," he added, "is when there's an attack on hip-hop artists, and they say that hip-hop artists are responsible for the language, the terrible language, and for the violence. When we get attacked like that, we respond. We gotta to respond. We don't want to pay too much attention to it, but with an album like this, this is my response in some ways to that, 'cause it's, like, hypocritical, you know what I mean? With the way people are dealing with hip-hop and trying to use it as a scapegoat. So this album is like, 'We're not having that.' "

"Be a Nigger Too" was the first song we heard from the album. Nas said it was important for him to make such a potent, provocative statement early to set the tone for the project. There is still some obvious resistance about the LP being named Nigger.

"Record stores are gonna have a problem in this day and time selling a record with that title," he explained. "Who knows what's gonna turn out and be on that title? Who knows what that title will be? It was important to me to let the fans know what the album would be musically. ... Everybody is trying to stop the title. It's just people being scared of what's real. Somebody is trying to open up dialogue for people to talk. People that's high up, [who aren't] really understanding what I'm doing, are scared. They're scared for reasons I understand, but the fans gotta know either way: This is the same album. The content is the same, the direction is the same, the message is gonna be everything I intended it to be musically.

"[The title] kind of comes off as something that can be disrespectful," he added. "Our older black people can take it the wrong way. Some non-blacks can take it the wrong way, and it becomes a thing that becomes controversial in all the wrong ways. I accept that. I'm here to do music. I'm here to rap about what I feel and what makes sense to me."

The Stargate-produced track "This Is Not America" (sample lyric: "Too many rappers, athletes and actors and not enough n---as in NASA") broaches the subject of how the world views U.S. citizens, while "Sly Fox" is aimed at the media, especially Fox News. Stic.Man of Dead Prez produced that record. Both Prez members are being looked at to collaborate on the LP, as are Rick Ross and the LOX. Nigger is slated for a July 1 release.

"When Americans want their independence and they celebrate it, they know what's still going down," Nas said. "We can't forget it. America still got a lot of growing up to do. America has so much great potential. You know, I love this country, but at the same time, we have to fix up a lot of things. And it's just a reminder."

:morkovka::|

на альбоме все знают, что эрика будет и электроника, нас ещё как бы планирует трек с продакшеном мф дума сделать, может и пиздёж, я хз

пасиб, качаю..

понятно все, нас сменил название на "nas"
лошара..

он не сменил, просто убрал)))

Queensbridge, New York rapper Nas has confirmed that he has changed the title of his forthcoming controversial album from Nigger.

Contrary to reports that the album will be titled Nas, the rapper told AllHipHop.com that the album will simply be untitled.

"It's important to me that this album gets to the fans," Nas told AllHipHop.com in a statement. “It's been a long time coming. I want my fans to know that creatively and lyrically, they can expect the same content and the same messages. It's that important. The streets have been waiting for this for a long time. The people will always know what the real title of this album is and what to call it."


Слушать новый трек: http://allhiphop.com/stories/multimedia__music/archive/2...98359.aspx

In a new song called “N.I.G.G.E.R.,” Nas lyrically explains his thoughts behind his 9th album, which he changed from the controversial racially charged word.

In the song Nas chastises the modern person for being fearful of taking risks in life and music.

“People [are] afraid of criticism/ But I always put myself in this sacrificial position/ …Anytime we mention our condition, our history or existence, they calling it reverse racism,” he raps.

The melodic, thought-provoking song discusses a myriad of issues ranging from social injustice to violations in privacy to the state of Black leadership.

Through song, Nas also suggests that his insight was beyond the norm.

"In the land of the blind, the man with one eye is the king,” Nas raps as he leads into the chorus, “They say we N-I-double G-E-R / We are, much more / but still we choose to ignore the obvious/ Man, this history don’t acknowledge us /we were scholars way before colleges.”

:guinda:

Отдельной ссылкой:
Nas - N.I.G.G.E.R. (The Slave & The Master)
http://sharebee.com/ce9178db

распизделся товарищ Джонс)))